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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Suzanne Valadon
French Post-Impressionist Painter, 1865-1938
French painter and artist's model. She led a lonely childhood in Paris as the daughter of an unmarried and unaffectionate maid, seeking refuge from her bleak circumstances by living in a dream world. While residing in the Montmartre district of Paris, she became an artist's model, working in particular with those painters who frequented the Lapin Agile. From 1880 to 1887, for example, she sat regularly for Pierre Puvis de Chavannes, posing for both the male and female figures in the Sacred Wood (1884-6; Lyon, Mus. B.-A.). She also modelled for Renoir, Luigi Zandomeneghi, Th?ophile Steinlein, Jean-Louis Forain, Giuseppe De Nittis and Jean-Jacques Henner. No longer able to tolerate the passive role of the model, |
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Suzanne Valadon
Future Unveiled or The Fortune Teller (mk39)
1912
Oil on canvas
51 3/16x64 1/8in
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Suzanne Valadon
Madame Levy
mk71
Toile
H.0.92
l.0.73
Musee de Cambrai
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Suzanne Valadon
Adam and Eve
mk156
1909
Oil on canvas
162x131cm
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Suzanne Valadon
Female Nude
mk164
1922
Musee d-Art Moderne de la Ville de Paris
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Suzanne Valadon
blatt sovrum
1923
se
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Suzanne Valadon
Portrait of Erik Satie
1893(1893)
Medium oil on canvas
Dimensions 41 x 22 cm (16.1 x 8.7 in)
cjr
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| Suzanne Valadon
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French Post-Impressionist Painter, 1865-1938
French painter and artist's model. She led a lonely childhood in Paris as the daughter of an unmarried and unaffectionate maid, seeking refuge from her bleak circumstances by living in a dream world. While residing in the Montmartre district of Paris, she became an artist's model, working in particular with those painters who frequented the Lapin Agile. From 1880 to 1887, for example, she sat regularly for Pierre Puvis de Chavannes, posing for both the male and female figures in the Sacred Wood (1884-6; Lyon, Mus. B.-A.). She also modelled for Renoir, Luigi Zandomeneghi, Th?ophile Steinlein, Jean-Louis Forain, Giuseppe De Nittis and Jean-Jacques Henner. No longer able to tolerate the passive role of the model,
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